The fluid movements of Williams shone above the room, the talented musicians following her every move. The audience was captivated, almost holding their breath in time to her gentle hands, inhaling with a mighty passion as she engulfed the orchestral sound in her arms.

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“The fluid movements of Williams shone above the room, the talented musicians following her every move.  At times she looked like a music box dancer, her movements so graceful and dance like and her facial expressions so noble it was hard to believe she was real. The result was exquisite”

"What can I say???? I am stunned by the quality, power, precision!!!! My IDEAL Eroica. Can you believe me if I tell you it is a highlight of my life. I will never forget that performance! Maestra Williams is magnificient"

Repertoire

Sarah-Grace Williams’ career has been diverse, seeing her conduct across numerous genres and concert formats and as such the repertoire she has conducted is equally diverse.

She has conducted much of the great symphonic repertoire of Mahler, Shostakovich, Stravinsky, Brahms, Beethoven, Mendelssohn, Mozart, Tchaikovsky, Rachmaninoff, Prokofiev, Sibelius, Schumann, Glinka, Bartok, Schubert, Holst, Elgar and Haydn amongst others, but can also be found collaborating on stage with contemporary artists such as Katie Noonan, Kate Cebrano,

James Morrison and John Farnham, to name a handful. In 2019, she will conduct the Australian and New Zealand orchestral tours of Basement Jaxx and Air Supply.

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